![]() ![]() ![]() Play continuous open strings at a very slow tempo in piano and mezzo piano, aiming for 20 to 25 seconds per bow in both directions. For a student who regularly practises many hours but occasionally has only an hour to spare, I recommend the following schedule: But remember, you have 52 weeks a year.įirstly, for a student who wants to become a professional violinist and practise only one hour a day, I would strongly suggest that they change profession. Of course, this timetable only works over longer periods when you don’t have the pressure of a concert or examination. Play the most demanding parts or bars of sonatas, duos, trios, quartets or orchestral works. The last 15 minutes should be reserved for chamber music. Seven sessions of 15 minutes will be enough to improve it technically and to memorise it.Ĥ. Your performance piece or movement should be polished daily. Choose an etude and concentrate your practice on the difficult bars.ģ. Start with scales, using different bowings and playing double-stops (3rds, 6ths, octaves and 10ths).Ģ. This will inspire you and motivate you to carry on.ġ. When you play the same scale–etude–performance piece–chamber music routine for seven days, you’ll notice a great development in intonation, tempo and quality of sound. ![]() Divide the 60 minutes into four 15-minute sections and repeat a daily programme for a week. If you have only one hour to practise every day, with concentrated work you can still achieve considerable musical and technical results. ![]()
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